RGB split vs. block displacement for glitch artwork
Compare RGB Split and Block Displacement on one downloadable graphic. See colored edges, shifted patches, and their combination with settings you can try.
TL;DR
- Choose RGB Split for colored edge fringes or Block Displacement for rectangular interruptions in the image’s structure.
- Compare both on the same source, then place RGB Split first when you want displaced patches of already separated colors.
- Both work in the free demo; keep the seed fixed and lower coverage if their combination becomes too busy.

Choose RGB Split for colored fringes around existing edges. Choose Block Displacement when you want rectangular patches to interrupt the image’s structure. They can work together, but changing color and changing alignment solve different visual problems.
The examples below use the same source at the same dimensions. This makes the treatment easier to compare than two unrelated photographs.
Use the same source for both trials
Download the comparison source PNG
(1200 × 1200). Its pale, lime, coral, and lavender diagonal bands give each effect a different edge to reveal.

For each trial, load the source into a fresh demo, turn the effect’s Animate switch off, and keep playback paused at time 0. Keep the source framing and size unchanged.
RGB Split: colored edge tension
Open RGB Split and set Amount to 0.015. The diagonal bands gain colored edges while their overall placement remains recognizable. Look at the pale shape against the dark ground: the separation is easier to see at that boundary than inside a flat region.

Artfkt’s RGB Split shifts red and blue horizontally and keeps green aligned. It has no separate vertical offset or independent per-channel position controls. Read the RGB Split guide for its current range and default.
Block Displacement: broken alignment
Open Block Displacement on the original source, not the RGB export. Set Displacement 4.50%, Coverage 0.25, Block size 7.00%, Seed 37, and Mix 100%.

Block Displacement alone — the same patch settings used in the cover-art guide.
The diagonal shapes and fine rules now have small interruptions where patches sample a shifted part of the image. Their original colors remain recognizable. This differs from Macroblock, which flattens detail into block colors. See the Block Displacement guide for its limitations.
Combine them deliberately
Start again with RGB Split at Amount 0.015, then add Block Displacement using the settings above. Turn Animate off on both effects. The second effect now displaces patches of the already color-separated image.

Combination — RGB Split first, Block Displacement second, with both Animate switches off.
Compare the pale band across the three results: RGB Split adds fringes, Block Displacement breaks its boundary into patches, and the combination does both. If the result is too busy, lower Coverage before increasing either effect’s strength. Keep Seed fixed while making that comparison.
Use the poster tutorial to combine colored edges with horizontal slices, or the cover-art workflow to follow displacement with noise. All these studies work on one image layer in the free demo; Artfkt for Mac and Windows adds saved projects and the full collection library.
How this comparison was made
The source is an original geometric SVG composed for this comparison, with no external image or font assets. Artfkt’s production engine rendered the treatments on WebGPU with animation off and time zero. Settings describe these examples, not permanent defaults; rendering can vary by device.
About this study: the source is an original geometric composition drawn for this comparison. The three treatments were rendered with Artfkt’s production engine at 1200 × 1200, time zero, animation off. No source from another article is used.
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